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#japaneseart

22 posts19 participants3 posts today

#Art #JapaneseArt Seki temple by Choubunsai (Hosoda) Eishi (1756-1829)

A scene from the play Sekidera Komachi, in which 9th-century court lady Ono no Komachi, renowned for her skills as a poet and for her beauty, regrets her vain behavior in youth. The print shows a poem about the fading of female beauty with the passing of time.

Hayakawa Shökosai I (Japan, 1815-1897)
Tea Scoop (Chagõ) in the Shape of a #Cicada, 1891
Bamboo, H 1 1/2 in. (3.8 cm) x W 2 in. (5.1 cm) x L 4 3/4 in. (12.1 cm)
On display at Metropolitan Museum of Art, New York (2022.12)
“Whereas most tea scoops have a simple, half-cylinder shape, Shokosai playfully converted this one into a small ‘sculpture’ representing a cicada, associated with immortality and rebirth.”
#JapaneseArt

alojapan.com/1229388/cherry-bl Cherry blossom-themed art to see this weekend in Tokyo #Exhibitions #JapaneseArt #painting #sakura #Tokyo #TokyoTopics #東京 #東京都 Cherry blossom season holds cultural significance in Japan and heralds new beginnings. Taking the Somei-Yoshino variety as a benchmark, the Meteorological Agency officially declared Tokyo’s sakura season to have started on Monday. Full bloom is expected this weekend, but it’s forecasted to be cloudy and rainy, interf…

"Two Girls on a Porch," Suzuki Harunobu, c. 1750.

Little is known of Harunobu (c. 1725 - 1770) other than his art. He was an innovator, the first to do full-color woodblock prints, rather than two or three color prints.

Although a prominent member of the ukiyo-e school, he didn't limit himself to geishas, courtesans, actors, and sumo wrestlers, but also many ordinary people of Edo street life, like street vendors, errand boys, workmen, and others. He often quoted poetry that related to his subject in some way, but also would often poke fun at his subject.

Here we have two young women on a porch; they wear form-fitting kimonos and their hair is in elaborate styles, so according to my sketchy knowledge, that may indicate they're courtesans. That their sashes are tied in the back indicates they were dressed by maids. One holds a broom or mop but is pausing in her labors to look at a scroll held by the other. Is it a poem? A letter from an admirer? Impossible for me to tell, and I don't have access to any translations of the calligraphy, so I can only guess. But it's a nice image anyway.

From the Bechtler Museum of Modern Art, Charlotte, NC\