Hoy es #MartesDeBarbas y de mostrar un poco de mi #Camisa. #MaquinaDeCoser #Sewing dedicado a @andrewblasco
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Camisa, Alfredo - The lottery - office man,
Camisa, Alfredo - Siesta nella rimessa, 1956
Camisa, Alfredo - Sickles,
#Camisa #Alfredo-Sickles #undefined
Camisa, Alfredo - Sicilian Fisherman,
Camisa, Alfredo - Scuola coranica,
![The image is a black and white photograph that appears to be taken from an overhead perspective, showcasing various items scattered on what seems like a floor or table. These objects include fragments of torn paper with handwritten text, possibly journal entries or notes; several pieces of clothing such as socks and undergarments laid out haphazardly; boxes containing small items which could be food products or other personal belongings; some photographs affixed to the wall in frames, suggesting a collage-like arrangement. The overall composition is disordered yet intriguing, evoking curiosity about their significance together.
In terms of background information, this photograph by Alfredo Camisa was taken for Ferrania's "Parete" (Wall) series and can be found on the website mentioned as an archival source: <https://images.loener.nl/RivistaFerrania/full/66f1/66f13b5a26a552dad254c25e.jpg>. Ferrania was a prominent Italian photography brand known for its film products, and "Parete" could refer to a thematic series or collection that explores different aspects of life through photographic means. The term 'parete' in this context might be used metaphorically, as the wall is often seen as a barrier or divider between spaces; perhaps Camisa intended to convey ideas about confinement, memory, and personal identity within such limitations.
The image itself does not provide explicit narrative clues but invites interpretation ba [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/404/163/820/877/871/original/497fc1cddc24210b.jpeg "The image is a black and white photograph that appears to be taken from an overhead perspective, showcasing various items scattered on what seems like a floor or table. These objects include fragments of torn paper with handwritten text, possibly journal entries or notes; several pieces of clothing such as socks and undergarments laid out haphazardly; boxes containing small items which could be food products or other personal belongings; some photographs affixed to the wall in frames, suggesting a collage-like arrangement. The overall composition is disordered yet intriguing, evoking curiosity about their significance together.
In terms of background information, this photograph by Alfredo Camisa was taken for Ferrania's \"Parete\" (Wall) series and can be found on the website mentioned as an archival source: <https://images.loener.nl/RivistaFerrania/full/66f1/66f13b5a26a552dad254c25e.jpg>. Ferrania was a prominent Italian photography brand known for its film products, and \"Parete\" could refer to a thematic series or collection that explores different aspects of life through photographic means. The term 'parete' in this context might be used metaphorically, as the wall is often seen as a barrier or divider between spaces; perhaps Camisa intended to convey ideas about confinement, memory, and personal identity within such limitations.
The image itself does not provide explicit narrative clues but invites interpretation ba [...]")
Camisa, Alfredo - Paesaggio meridionale,
#Camisa #Alfredo-Paesaggio #undefined
Camisa, Alfredo - Paesaggio, 1959
#Camisa #Alfredo-Paesaggio #Brazil #undefined
Camisa, Alfredo - Legno, 1960
#Camisa #Alfredo-Legno #undefined
Camisa, Alfredo - La vetrina del liutaio,
![The image is a black and white photograph with a high-contrast, dramatic visual style. It captures the silhouette of a woman looking out from behind two large glass panes set in what appears to be an old-fashioned window frame.
On the left side of the upper pane, there are three elongated objects that resemble traditional musical instruments or vases; their dark shapes stand against the lighter background of the outside scene. The rightmost object seems slightly smaller than the others and is less distinct due to its placement at a higher angle within the glass panes.
The woman's silhouette stands out sharply in contrast to her surroundings, adding an element of mystery as she gazes outward into the space beyond the window. Her facial features are obscured by shadow, leaving only hints of shape visible on her face and head. The overall atmosphere is quiet and contemplative, evoking a sense of solitude or introspection.
The composition draws attention to both the juxtaposition between light and dark areas as well as the emotional impact created through the use of silhouettes and perspective. It's reminiscent of classic photographic styles where storytelling relies on mood and symbolism rather than explicit representation. The image does not reveal any identifiable context, story, or background beyond its visual elements.
For additional information about this specific photograph titled "La vetrina del liutaio," you can [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/401/627/430/816/431/original/ad4156de0f9aa5e5.jpeg "The image is a black and white photograph with a high-contrast, dramatic visual style. It captures the silhouette of a woman looking out from behind two large glass panes set in what appears to be an old-fashioned window frame.
On the left side of the upper pane, there are three elongated objects that resemble traditional musical instruments or vases; their dark shapes stand against the lighter background of the outside scene. The rightmost object seems slightly smaller than the others and is less distinct due to its placement at a higher angle within the glass panes.
The woman's silhouette stands out sharply in contrast to her surroundings, adding an element of mystery as she gazes outward into the space beyond the window. Her facial features are obscured by shadow, leaving only hints of shape visible on her face and head. The overall atmosphere is quiet and contemplative, evoking a sense of solitude or introspection.
The composition draws attention to both the juxtaposition between light and dark areas as well as the emotional impact created through the use of silhouettes and perspective. It's reminiscent of classic photographic styles where storytelling relies on mood and symbolism rather than explicit representation. The image does not reveal any identifiable context, story, or background beyond its visual elements.
For additional information about this specific photograph titled \"La vetrina del liutaio,\" you can [...]")
Camisa, Alfredo - La casa del ciabattino. Chioggia ( Venezia ),
Camisa, Alfredo - La bicicletta,
Camisa, Alfredo - L'attore Ottavio Fanfani,
Camisa, Alfredo - Il tronco,
#Camisa #Alfredo-Iltronco #undefined
Camisa, Alfredo - Il cancello sul mare,
Camisa, Alfredo - Il camerino,
#Camisa #Alfredo-Ilcamerino #undefined
