Fosstodon

50+ Music"Breaking Up Is Hard to Do" is a song recorded by <a href="https://mastodon.online/tags/NeilSedaka" class="mention hashtag" rel="nofollow noopener" target="_blank">#NeilSedaka</a>, co-written by Sedaka and <a href="https://mastodon.online/tags/HowardGreenfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#HowardGreenfield</a>. Sedaka recorded this song twice, in 1962 and 1975, in two significantly different arrangements, and it is considered to be his <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. Between 1970 and 1975, it was a top-40 hit three separate times for three separate artists: <a href="https://mastodon.online/tags/LennyWelch" class="mention hashtag" rel="nofollow noopener" target="_blank">#LennyWelch</a>, <a href="https://mastodon.online/tags/ThePartridgeFamily" class="mention hashtag" rel="nofollow noopener" target="_blank">#ThePartridgeFamily</a> and Sedaka's second version. The song was also adapted into multiple languages. <a href="https://www.youtube.com/watch?v=8pE1n4BXNf8" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=8pE1n4BXNf8</a>

50+ Music"Brown Eyed Girl" is a song by <a href="https://mastodon.online/tags/NorthernIrish" class="mention hashtag" rel="nofollow noopener" target="_blank">#NorthernIrish</a> singer and songwriter <a href="https://mastodon.online/tags/VanMorrison" class="mention hashtag" rel="nofollow noopener" target="_blank">#VanMorrison</a>. Written by Morrison and recorded in March 1967, it was released as a single in June of the same year on the Bang label, peaking at No. 10 on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hot100</a>. The song spent a total of sixteen weeks on the chart. It featured <a href="https://mastodon.online/tags/theSweetInspirations" class="mention hashtag" rel="nofollow noopener" target="_blank">#theSweetInspirations</a> singing <a href="https://mastodon.online/tags/backupVocals" class="mention hashtag" rel="nofollow noopener" target="_blank">#backupVocals</a> and is considered to be Van Morrison's <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. <a href="https://www.youtube.com/watch?v=UfmkgQRmmeE" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=UfmkgQRmmeE</a>

50+ Music"I Still Believe" is a song written and composed by <a href="https://mastodon.online/tags/AntoninaArmato" class="mention hashtag" rel="nofollow noopener" target="_blank">#AntoninaArmato</a> and Giuseppe Cantarelli, and originally recorded by <a href="https://mastodon.online/tags/pop" class="mention hashtag" rel="nofollow noopener" target="_blank">#pop</a> singer <a href="https://mastodon.online/tags/BrendaKStarr" class="mention hashtag" rel="nofollow noopener" target="_blank">#BrendaKStarr</a> for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day. It is Starr's biggest hit in the <a href="https://mastodon.online/tags/UnitedStates" class="mention hashtag" rel="nofollow noopener" target="_blank">#UnitedStates</a>, reaching the top-twenty on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> Hot 100 and being considered her <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. <a href="https://www.youtube.com/watch?v=OAZG2duVte4" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=OAZG2duVte4</a>

50+ Music"You Don't Own Me" is a <a href="https://mastodon.online/tags/popSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#popSong</a> written by Philadelphia songwriters <a href="https://mastodon.online/tags/JohnMadara" class="mention hashtag" rel="nofollow noopener" target="_blank">#JohnMadara</a> and <a href="https://mastodon.online/tags/DavidWhite" class="mention hashtag" rel="nofollow noopener" target="_blank">#DavidWhite</a> and recorded by <a href="https://mastodon.online/tags/LesleyGore" class="mention hashtag" rel="nofollow noopener" target="_blank">#LesleyGore</a> in 1963, when she was 17 years old. The song was Gore's second most successful recording and her last top-ten single. Gore herself considered it to be her <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a> claiming, "I just can't find anything stronger to be honest with you, it's a song that just grows every time you do it." <a href="https://www.youtube.com/watch?v=OYB1rbL8EHo" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=OYB1rbL8EHo</a>

50+ Music"Walk on the Wild Side" is a song by American <a href="https://mastodon.online/tags/rock" class="mention hashtag" rel="nofollow noopener" target="_blank">#rock</a> musician <a href="https://mastodon.online/tags/LouReed" class="mention hashtag" rel="nofollow noopener" target="_blank">#LouReed</a> from his second solo album, <a href="https://mastodon.online/tags/Transformer" class="mention hashtag" rel="nofollow noopener" target="_blank">#Transformer</a> (1972). It was produced by <a href="https://mastodon.online/tags/DavidBowie" class="mention hashtag" rel="nofollow noopener" target="_blank">#DavidBowie</a> and <a href="https://mastodon.online/tags/MickRonson" class="mention hashtag" rel="nofollow noopener" target="_blank">#MickRonson</a> and released as a <a href="https://mastodon.online/tags/doubleAside" class="mention hashtag" rel="nofollow noopener" target="_blank">#doubleAside</a> with "<a href="https://mastodon.online/tags/PerfectDay" class="mention hashtag" rel="nofollow noopener" target="_blank">#PerfectDay</a>". Known as a <a href="https://mastodon.online/tags/counterculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#counterculture</a> anthem, the song received heavy radio play and became Reed's biggest hit and <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. "<a href="https://mastodon.online/tags/WalkOnTheWildSide" class="mention hashtag" rel="nofollow noopener" target="_blank">#WalkOnTheWildSide</a>" touched on topics considered taboo at the time it was released, including <a href="https://mastodon.online/tags/transgender" class="mention hashtag" rel="nofollow noopener" target="_blank">#transgender</a> people, <a href="https://mastodon.online/tags/drugs" class="mention hashtag" rel="nofollow noopener" target="_blank">#drugs</a>. <a href="https://www.youtube.com/watch?v=yKOQapYcyhE" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=yKOQapYcyhE</a>

50+ Music"Sing" is a 1971 song written by <a href="https://mastodon.online/tags/JoeRaposo" class="mention hashtag" rel="nofollow noopener" target="_blank">#JoeRaposo</a> for the children's television show Sesame Street as its <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. In 1973, it gained popularity when performed by <a href="https://mastodon.online/tags/theCarpenters" class="mention hashtag" rel="nofollow noopener" target="_blank">#theCarpenters</a>, a number 3 hit on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> Hot 100. Raposo was a staff songwriter for Sesame Street, and the song became one of the most popular on the program, sung in <a href="https://mastodon.online/tags/English" class="mention hashtag" rel="nofollow noopener" target="_blank">#English</a>, <a href="https://mastodon.online/tags/Spanish" class="mention hashtag" rel="nofollow noopener" target="_blank">#Spanish</a> and <a href="https://mastodon.online/tags/signLanguage" class="mention hashtag" rel="nofollow noopener" target="_blank">#signLanguage</a>. In its initial appearance, it was sung by the show's adult human cast members and <a href="https://mastodon.online/tags/theMuppets" class="mention hashtag" rel="nofollow noopener" target="_blank">#theMuppets</a>. <a href="https://www.youtube.com/watch?v=FfZ6DTV4dV8" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=FfZ6DTV4dV8</a>

50+ Music"Put a Little Love in Your Heart" is a song originally performed in 1969 by <a href="https://mastodon.online/tags/JackieDeShannon" class="mention hashtag" rel="nofollow noopener" target="_blank">#JackieDeShannon</a>, who composed it with her brother Randy Myers and <a href="https://mastodon.online/tags/JimmyHoliday" class="mention hashtag" rel="nofollow noopener" target="_blank">#JimmyHoliday</a>. In the U.S., it was DeShannon's highest-charting hit, reaching number 4 on the <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hot100</a> in August 1969 and number 2 on the <a href="https://mastodon.online/tags/AdultContemporary" class="mention hashtag" rel="nofollow noopener" target="_blank">#AdultContemporary</a> chart. In late 1969, the song reached number 1 on South Africa's hit parade. The song rivalled the success of her <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>, "<a href="https://mastodon.online/tags/WhatTheWorldNeedsNowIsLove" class="mention hashtag" rel="nofollow noopener" target="_blank">#WhatTheWorldNeedsNowIsLove</a>". In 1988. <a href="https://www.youtube.com/watch?v=v1l2PCfwycs" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=v1l2PCfwycs</a>

50+ Music"Conga" is a song by American band <a href="https://mastodon.online/tags/MiamiSoundMachine" class="mention hashtag" rel="nofollow noopener" target="_blank">#MiamiSoundMachine</a>, led by <a href="https://mastodon.online/tags/GloriaEstefan" class="mention hashtag" rel="nofollow noopener" target="_blank">#GloriaEstefan</a>, released as the first single from their second English-language album, <a href="https://mastodon.online/tags/PrimitiveLove" class="mention hashtag" rel="nofollow noopener" target="_blank">#PrimitiveLove</a>. The song was written by the band's drummer Enrique Garcia. The song first appeared on August 31, 1985, as part of the album. The single was released in Australia on September 9, 1985. "Conga" became a worldwide success and is recognized as the Miami Sound Machine and Gloria Estefan's <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. <a href="https://www.youtube.com/watch?v=8gXj8Gcp31w" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=8gXj8Gcp31w</a>

50+ Music"Sing" is a 1971 song written by <a href="https://mastodon.online/tags/JoeRaposo" class="mention hashtag" rel="nofollow noopener" target="_blank">#JoeRaposo</a> for the children's television show Sesame Street as its <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. In 1973, it gained popularity when performed by <a href="https://mastodon.online/tags/theCarpenters" class="mention hashtag" rel="nofollow noopener" target="_blank">#theCarpenters</a>, a number 3 hit on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> Hot 100. Raposo was a staff songwriter for Sesame Street, and the song became one of the most popular on the program, sung in <a href="https://mastodon.online/tags/English" class="mention hashtag" rel="nofollow noopener" target="_blank">#English</a>, <a href="https://mastodon.online/tags/Spanish" class="mention hashtag" rel="nofollow noopener" target="_blank">#Spanish</a> and <a href="https://mastodon.online/tags/signLanguage" class="mention hashtag" rel="nofollow noopener" target="_blank">#signLanguage</a>. In its initial appearance, it was sung by the show's adult human cast members and <a href="https://mastodon.online/tags/theMuppets" class="mention hashtag" rel="nofollow noopener" target="_blank">#theMuppets</a>. <a href="https://www.youtube.com/watch?v=1kvc_dWs1f4" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=1kvc_dWs1f4</a>

50+ Music"U Can't Touch This" is a song co-written, produced, and performed by American rapper <a href="https://mastodon.online/tags/MCHammer" class="mention hashtag" rel="nofollow noopener" target="_blank">#MCHammer</a>. It was released in May 1990 by <a href="https://mastodon.online/tags/CapitolRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#CapitolRecords</a> as the third single from his third album, <a href="https://mastodon.online/tags/PleaseHammerDontHurtEm" class="mention hashtag" rel="nofollow noopener" target="_blank">#PleaseHammerDontHurtEm</a> (1990), and has been considered his <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. Along with Hammer, <a href="https://mastodon.online/tags/RickJames" class="mention hashtag" rel="nofollow noopener" target="_blank">#RickJames</a> shares songwriting credits with Alonzo Miller, as the song <a href="https://mastodon.online/tags/samples" class="mention hashtag" rel="nofollow noopener" target="_blank">#samples</a> the prominent opening <a href="https://mastodon.online/tags/riff" class="mention hashtag" rel="nofollow noopener" target="_blank">#riff</a> of James's 1981 single "<a href="https://mastodon.online/tags/SuperFreak" class="mention hashtag" rel="nofollow noopener" target="_blank">#SuperFreak</a>". The song has been used. <a href="https://www.youtube.com/watch?v=_NNYI8VbFyY" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=_NNYI8VbFyY</a>

50+ Music"Misty" is a <a href="https://mastodon.online/tags/jazzStandard" class="mention hashtag" rel="nofollow noopener" target="_blank">#jazzStandard</a> written and originally recorded in 1954 by pianist <a href="https://mastodon.online/tags/ErrollGarner" class="mention hashtag" rel="nofollow noopener" target="_blank">#ErrollGarner</a>. He composed it as an instrumental in the traditional <a href="https://mastodon.online/tags/32barFormat" class="mention hashtag" rel="nofollow noopener" target="_blank">#32barFormat</a>, and recorded it on July 27, 1954 for the album <a href="https://mastodon.online/tags/Contrasts" class="mention hashtag" rel="nofollow noopener" target="_blank">#Contrasts</a>. Lyrics were added later by <a href="https://mastodon.online/tags/JohnnyBurke" class="mention hashtag" rel="nofollow noopener" target="_blank">#JohnnyBurke</a>. It appeared on <a href="https://mastodon.online/tags/JohnnyMathis" class="mention hashtag" rel="nofollow noopener" target="_blank">#JohnnyMathis</a>' 1959 album <a href="https://mastodon.online/tags/Heavenly" class="mention hashtag" rel="nofollow noopener" target="_blank">#Heavenly</a>, and this recording reached number 12 on the <a href="https://mastodon.online/tags/USPopSingles" class="mention hashtag" rel="nofollow noopener" target="_blank">#USPopSingles</a> chart later that year. It has since become Mathis’ <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. <a href="https://www.youtube.com/watch?v=yzt2rdWBazo" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=yzt2rdWBazo</a>

50+ Music"Walk on the Wild Side" is a song by American <a href="https://mastodon.online/tags/rock" class="mention hashtag" rel="nofollow noopener" target="_blank">#rock</a> musician <a href="https://mastodon.online/tags/LouReed" class="mention hashtag" rel="nofollow noopener" target="_blank">#LouReed</a> from his second solo studio album, <a href="https://mastodon.online/tags/Transformer" class="mention hashtag" rel="nofollow noopener" target="_blank">#Transformer</a> (1972). It was produced by <a href="https://mastodon.online/tags/DavidBowie" class="mention hashtag" rel="nofollow noopener" target="_blank">#DavidBowie</a> and <a href="https://mastodon.online/tags/MickRonson" class="mention hashtag" rel="nofollow noopener" target="_blank">#MickRonson</a> and released as a <a href="https://mastodon.online/tags/doubleAside" class="mention hashtag" rel="nofollow noopener" target="_blank">#doubleAside</a> with "<a href="https://mastodon.online/tags/PerfectDay" class="mention hashtag" rel="nofollow noopener" target="_blank">#PerfectDay</a>". Known as a counterculture anthem, the song received heavy radio play and became Reed's biggest hit and <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a> while touching on topics considered taboo at the time, such as <a href="https://mastodon.online/tags/transgender" class="mention hashtag" rel="nofollow noopener" target="_blank">#transgender</a> people, <a href="https://mastodon.online/tags/drugs" class="mention hashtag" rel="nofollow noopener" target="_blank">#drugs</a>, <a href="https://mastodon.online/tags/maleProstitution" class="mention hashtag" rel="nofollow noopener" target="_blank">#maleProstitution</a>, and <a href="https://mastodon.online/tags/oralSex" class="mention hashtag" rel="nofollow noopener" target="_blank">#oralSex</a>. <a href="https://www.youtube.com/watch?v=3wffYJ5URPE" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=3wffYJ5URPE</a>

50+ Music"We Are Family" is a song recorded by American vocal group <a href="https://mastodon.online/tags/SisterSledge" class="mention hashtag" rel="nofollow noopener" target="_blank">#SisterSledge</a>. Composed by <a href="https://mastodon.online/tags/BernardEdwards" class="mention hashtag" rel="nofollow noopener" target="_blank">#BernardEdwards</a> and <a href="https://mastodon.online/tags/NileRodgers" class="mention hashtag" rel="nofollow noopener" target="_blank">#NileRodgers</a>, they both offered the song to <a href="https://mastodon.online/tags/AtlanticRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#AtlanticRecords</a>; although the record label initially declined, the track was released in April 1979 as a <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener" target="_blank">#single</a> from the album of the same name (1979) and began to gain club and radio play, eventually becoming the group's <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. "We Are Family" went <a href="https://mastodon.online/tags/gold" class="mention hashtag" rel="nofollow noopener" target="_blank">#gold</a>. <a href="https://www.youtube.com/watch?v=eBpYgpF1bqQ" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=eBpYgpF1bqQ</a>

50+ Music"This Is How We Do It" is the debut single of American singer-songwriter <a href="https://mastodon.online/tags/MontellJordan" class="mention hashtag" rel="nofollow noopener" target="_blank">#MontellJordan</a>. It was released by <a href="https://mastodon.online/tags/DefJamRecordings" class="mention hashtag" rel="nofollow noopener" target="_blank">#DefJamRecordings</a> on February 6, 1995, as the lead single from his debut studio album of the same name (1995). The single was Def Jam's first <a href="https://mastodon.online/tags/RAndB" class="mention hashtag" rel="nofollow noopener" target="_blank">#RAndB</a> release, and is Jordan's <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. The song is a tribute to <a href="https://mastodon.online/tags/SouthCentralLosAngeles" class="mention hashtag" rel="nofollow noopener" target="_blank">#SouthCentralLosAngeles</a> party culture in the <a href="https://mastodon.online/tags/hipHopSoul" class="mention hashtag" rel="nofollow noopener" target="_blank">#hipHopSoul</a> style popular at the time. <a href="https://www.youtube.com/watch?v=mTY31zVUqfs" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=mTY31zVUqfs</a>

50+ Music"The Dance" is a song written by <a href="https://mastodon.online/tags/TonyArata" class="mention hashtag" rel="nofollow noopener" target="_blank">#TonyArata</a> and recorded by American <a href="https://mastodon.online/tags/countryMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#countryMusic</a> singer <a href="https://mastodon.online/tags/GarthBrooks" class="mention hashtag" rel="nofollow noopener" target="_blank">#GarthBrooks</a> as the tenth and final track from his self-titled debut album, from which it was also released as the album's fourth and final single in April 1990. It is considered by many to be Brooks' <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. In a 2015 interview with <a href="https://mastodon.online/tags/PatrickKielty" class="mention hashtag" rel="nofollow noopener" target="_blank">#PatrickKielty</a> of <a href="https://mastodon.online/tags/BBCRadio2" class="mention hashtag" rel="nofollow noopener" target="_blank">#BBCRadio2</a>, Brooks credits the back to back success of both "The Dance". <a href="https://www.youtube.com/watch?v=nblsU7NAYJ4" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=nblsU7NAYJ4</a>

50+ Music"The Happiest Girl in the Whole USA" is a <a href="https://mastodon.online/tags/country" class="mention hashtag" rel="nofollow noopener" target="_blank">#country</a> and <a href="https://mastodon.online/tags/popMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#popMusic</a> song written, composed, and recorded by <a href="https://mastodon.online/tags/DonnaFargo" class="mention hashtag" rel="nofollow noopener" target="_blank">#DonnaFargo</a>. It is written in the voice of a newlywed girl, sung to her new husband. It has since become her <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. <a href="https://www.youtube.com/watch?v=kMXAMR28nq0" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=kMXAMR28nq0</a>

50+ Music"I Left My Heart in San Francisco" is a <a href="https://mastodon.online/tags/popular" class="mention hashtag" rel="nofollow noopener" target="_blank">#popular</a> song, best known as the <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a> of <a href="https://mastodon.online/tags/TonyBennett" class="mention hashtag" rel="nofollow noopener" target="_blank">#TonyBennett</a>. It was written in late-1953 in <a href="https://mastodon.online/tags/BrooklynNewYork" class="mention hashtag" rel="nofollow noopener" target="_blank">#BrooklynNewYork</a>, with music by <a href="https://mastodon.online/tags/GeorgeCory" class="mention hashtag" rel="nofollow noopener" target="_blank">#GeorgeCory</a> (1920–1978) and lyrics by Douglass Cross (1920–1975). In 1962, the song was released as a single by Bennett on <a href="https://mastodon.online/tags/ColumbiaRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#ColumbiaRecords</a> as the <a href="https://mastodon.online/tags/bside" class="mention hashtag" rel="nofollow noopener" target="_blank">#bside</a> to "<a href="https://mastodon.online/tags/OnceUponATime" class="mention hashtag" rel="nofollow noopener" target="_blank">#OnceUponATime</a>", which peaked at No. 19 on the U.S. Billboard Hot 100. The song was also included on the album <a href="https://mastodon.online/tags/ILeftMyHeartInSanFrancisco" class="mention hashtag" rel="nofollow noopener" target="_blank">#ILeftMyHeartInSanFrancisco</a>. <a href="https://www.youtube.com/watch?v=Ysw4svDmcxc" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=Ysw4svDmcxc</a>

50+ Music"The Dance" is a song written by <a href="https://mastodon.online/tags/TonyArata" class="mention hashtag" rel="nofollow noopener" target="_blank">#TonyArata</a> and recorded by American <a href="https://mastodon.online/tags/countryMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#countryMusic</a> singer <a href="https://mastodon.online/tags/GarthBrooks" class="mention hashtag" rel="nofollow noopener" target="_blank">#GarthBrooks</a> as the tenth and final track from his self-titled debut album, from which it was also released as the album's fourth and final single in April 1990. It is considered by many to be Brooks' <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>. In a 2015 interview with <a href="https://mastodon.online/tags/PatrickKielty" class="mention hashtag" rel="nofollow noopener" target="_blank">#PatrickKielty</a> of <a href="https://mastodon.online/tags/BBCRadio2" class="mention hashtag" rel="nofollow noopener" target="_blank">#BBCRadio2</a>, Brooks credits the back to back success of both "The Dance". <a href="https://www.youtube.com/watch?v=QpPMskJSb0M" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=QpPMskJSb0M</a>

50+ Music"Black Hole Sun" is a song by American rock band <a href="https://mastodon.online/tags/Soundgarden" class="mention hashtag" rel="nofollow noopener" target="_blank">#Soundgarden</a>. Written by frontman <a href="https://mastodon.online/tags/ChrisCornell" class="mention hashtag" rel="nofollow noopener" target="_blank">#ChrisCornell</a>, the song was released in May 1994 by <a href="https://mastodon.online/tags/AAndMRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#AAndMRecords</a> as the third single from the band's fourth studio album, <a href="https://mastodon.online/tags/Superunknown" class="mention hashtag" rel="nofollow noopener" target="_blank">#Superunknown</a> (1994). Considered to be the band's <a href="https://mastodon.online/tags/signatureSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#signatureSong</a>, it topped the US <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> Album Rock Tracks chart, where it spent a total of seven weeks at number one. Despite peaking at number two on the Billboard <a href="https://mastodon.online/tags/ModernRockTracks" class="mention hashtag" rel="nofollow noopener" target="_blank">#ModernRockTracks</a> chart. <a href="https://www.youtube.com/watch?v=3mbBbFH9fAg" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=3mbBbFH9fAg</a>

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