Matthew Rimmer<p>I am excited to see the publication of advance articles in Samuel Beckett Today from a special edition based on a symposium about Samuel Beckett in Central Europe <a href="https://brill.com/view/journals/sbt/aop/issue.xml" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">brill.com/view/journals/sbt/ao</span><span class="invisible">p/issue.xml</span></a></p><p>I wrote about 'The Legal Dramas of Samuel Beckett: Copyright Law and Human Rights in the European Union'</p><p><a href="https://brill.com/view/journals/sbt/aop/article-10.1163-18757405-tat00006/article-10.1163-18757405-tat00006.xml" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">brill.com/view/journals/sbt/ao</span><span class="invisible">p/article-10.1163-18757405-tat00006/article-10.1163-18757405-tat00006.xml</span></a></p><p>Alexander Hartley wrote a piece about copyright from a different angle, 'Is Beckett’s Drama ‘Stopped’? Accounting for the Aesthetics of Theatrical Copyright' <a href="https://brill.com/view/journals/sbt/aop/article-10.1163-18757405-tat00005/article-10.1163-18757405-tat00005.xml" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">brill.com/view/journals/sbt/ao</span><span class="invisible">p/article-10.1163-18757405-tat00005/article-10.1163-18757405-tat00005.xml</span></a> </p><p>Anita Rákóczy has written about Károly Kazimir’s Opening Speech before the Hungarian Premiere of Waiting for Godot (1965) <a href="https://brill.com/view/journals/sbt/aop/article-10.1163-18757405-tat00007/article-10.1163-18757405-tat00007.xml" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">brill.com/view/journals/sbt/ao</span><span class="invisible">p/article-10.1163-18757405-tat00007/article-10.1163-18757405-tat00007.xml</span></a> </p><p>I look forward to seeing the final versions of some of the other contributions to the collection.</p><p><a href="https://aus.social/tags/copyright" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>copyright</span></a> <a href="https://aus.social/tags/EUlaw" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EUlaw</span></a> <a href="https://aus.social/tags/EUpol" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EUpol</span></a> <a href="https://aus.social/tags/theatre" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>theatre</span></a> <a href="https://aus.social/tags/performance" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>performance</span></a> <a href="https://aus.social/tags/drama" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>drama</span></a> <a href="https://aus.social/tags/Ireland" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ireland</span></a> <a href="https://aus.social/tags/SamuelBeckett" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SamuelBeckett</span></a></p>