fosstodon.org is one of the many independent Mastodon servers you can use to participate in the fediverse.
Fosstodon is an invite only Mastodon instance that is open to those who are interested in technology; particularly free & open source software. If you wish to join, contact us for an invite.

Administered by:

Server stats:

9.8K
active users

#amplifiers

0 posts0 participants0 posts today

Boss

When I was a kid and starting to become obsessed with guitar gear, there weren’t a lot of options around. My local music stores carried pedals from DoD and Boss for the most part. You could find occasional Ibanez, MXR, or Electro Harmonix pedals, but for the most part it was DoD and Boss. The few pedals I owned were DoD. Every time I took a Boss pedal for a test drive I was massively underwhelmed. Those music store visits back in the late 1980’s lead to a lifetime of not liking Boss gear. To this day I have never owned a Boss pedal because I have never played through one that I liked. The closest I’ve come is a Keeley pedal (the Super Phat Mod) which is a modified version of a Boss Blues Driver pedal. I like the Keeley pedal, but I don’t love it (unlike my Keeley D&M Drive which I absolutely adore).

I have never consciously boycotted Boss, I just never wanted anything they sold…

Until now.

A few years ago a couple of companies released super sophisticated amp load boxes. Universal Audio put out the Ox, which seems like the greatest thing since sliced bread. Unfortunately you can almost buy a car with the amount of money you need to shell out for an Ox.* Boss released a similar item called the Tube Amp Expander. The reviews I watched made the thing look pretty amazing, though maybe not quite as amazing as the Ox. The price was similar though and I never gave it a second thought.

Not long ago Boss released a new product. It’s a smaller version of the Tube Amp Expander. It’s called the Tube Amp Expander Core. It has all of the functionality I would want but at a much lower price. Granted, $700 is a ton of money for something like this (in my book, at least) and I don’t know if that price is before or after the orange shit clown’s Japanese tariffs. It is a low enough cost to make me consider it, but probably still too high to actually pull the trigger. It would be really cool to be able to run a direct signal out of my Fender Deluxe Reverb and into my Audio Interface, or even directly into my Macintosh.

…….it’s Boss though…. if I tried one out, history dictates that I would be disappointed. Still…….. oh the places I could go with a box like that. We’ll have to see how the economy holds up in the near future. There’s a really good chance the orange shit clown could collapse the whole country which would take the decision to blow $700 on a reactive load box out of my hands, you know?

Anyway, here’s a video that I can drool over as I watch it over and over again.

https://www.youtube.com/watch?v=OyZYV6swW-c

*Slight exaggeration

Continued thread

Arrgh.
I went around the guy's shop, he was there and got the amp, plugged it in and let me try it. "Vibrato" wasn't working for me, but the reverb was sweet and drippy.
Then he said he didn't want to sell it. He'd even taken down the ad.
(I so want this to not be about me, and my crap playing and self-deprecating demeanor.)
He said he'll think about it and let me know if he will sell it.
#patience #gearSquad #Fender #guitar #amplifiers

British amplifier and music gear company MARSHALL sold to... 🇨🇳☭ People's Republic of China investment group

Just LOL. Marshall have been iconic to the Western "counter-cultural revolution" brought about by rock music since early 1960s. Seeing them now being owned by a PRC state-approved capitalist group is the ultimate chef's kiss.

Of course, the likes of Gibson and Fender have outsourced *some* of their manufacturing to the Chinese dictatorship for years now, but being *owned* by PRC investors must the apex of late-stage capitalism.

reuters.com/markets/deals/chin

This photo shows three favorite amps. The tweed started out as a Fender Champion 600 from the early '00s. I discarded the original box (which was pretty beat) and housed the chassis in a custom 1x8 enclosure by Mather Amp Cabinet. The brown is a 1996 Fender Pro Junior chassis, in another custom cab by Mather, this time a 1x12 (this one is my primary gigging amp). The black one is a more recent purchase: another Pro Junior (fourth generation 2022), but I'm going to keep this one stock (apart from eventually re-tubing it when the originals lose their lustre). Simple is good.