Pauli sees consciousness as the active part in the drama (more so than Jung), while the unconscious is more passive and helpless. It can create a disturbance to be sure, but it cannot have any kind of consciousness or ‘intention’. Pauli may to some extent have changed his mind concerning this question later in life, as he seems to have wanted to make room for the experience that there is something in the unconscious…that demands widening of consciousness.
—Suzanne Gieser, The Innermost Kernel: Depth Psychology and Quantum Physics. Wolfgang Pauli's Dialogue with C.G. Jung
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